Saturday, 20 May 2017

Evan Dando at St Lukes Glasgow

Evan Dando returned to Glasgow last night to his usual warm welcome and the opportunity to play the beautiful converted St Luke's church in the East End of the city, just around from the Barrowland Ballroom. Dando joked that he had played almost everywhere in Glasgow and a reference to the Cathouse brought cheers and laughter.

Indeed he has - from the Glasgow Uni Debating Chambers, to the Garage, the Renfrew Ferry, ABC and Nice n Sleazys, I've been lucky enough to catch Dando playing solo or with his latest incarnation of The Lemonheads on a number of occasions over the years.

Dando captivated the audience from the off by bounding on stage at 8.30pm sharp, throwing his jacket to the floor and picking up an acoustic guitar to launch into Being Around.

The creaky church pews and floors may have had a few choirs on them in their time and Dando had one tonight, with the crowd singing along beautifully to the likes of All My Life, My Drug Buddy Frank Mills, and attempting Juliana Hatfield's backing vocals in Bit Part.

Dando has a rich treasure chest of songs to dig into and he loves to play cover version too. His own material was largely taken from It's A Shame About Ray, Come On Feel The Lemonheads and Car Button Cloth, a stunning trilogy of guitar pop. Ride With Me from Lovey was the oldest Lemonheads song he played.



Dando flew from one song to the next, barely pausing to take in the warm applause. His solo album Baby I'm Bored is a bit of a cult classic and it recently received a lavish reissue for Record Store Day - hence the short tour. Hard Drive is just sublime with Dando rhyming off things he is thinking or doing.

Requests were hollered from the crowd with Evan choosing Big Gay Heart and he played and sang beautifully, his voice is still rich and soulful. And the line from Alison's Starting To Happen she's the puzzle piece behind the couch that makes the sky complete is one of my favourite lines of all time.

As always, Dando chose some sublime cover versions; Different Drum by Mike Nesmith, Settled Down Like Rain by The Jayhawks and a spellbinding Round Here by Florida George Line - a song I hadn't heard before, Skulls by The Misfits, They Don't Know About Us by Kirsty MacColl and a couple I am trying to find the name of.

Dando brought on a girl (sorry didn't catch her name) to sing harmonies and play electric guitar for a lovingly shambolic section of the encore. There was no setlist at all throughout the gig and a stand with sheet music and lyrics was used for Dando's benefit. Round Here was particularly gorgeous here.

Into Your Arms brought the show to the end with the crowd singing a long. Dandy captivated the crowd with his performance - even the shambolic sections were gorgeous - he is a brilliant performer, songwriter, guitarist and singer. I hope he returns soon.

Wednesday, 17 May 2017

Respect




R-E-S-P-E-C-T
Find out what it means to me

Aretha Franklin's barnstorming stomp through Otis Redding's Respect must surely be a candidate for the best cover version ever.

The original, released in 1965, has pounding drums and a pleading vocal by Otis who doesn't really care what his girl gets up to, a long as he gets that respect when he gets home.

The horns soar, Redding's voice is rich, soulful and stretched brilliantly to make you firmly believe that respect is what he wants and needs. The section at the end where he just vibes on the song shouting got to, got to have it and goes on to practically sound like he is frothing at the mouth with the give it to me, give it to me, give it to me baby, everything I need.....

And it's all over in just 2 minutes and 9 seconds. Sensational. If you don't own it, or if you haven't checked it out, then please do search for Otis Blue, the incredible album that this features on.


And then over to Aretha in 1967. Dear doctor, listen to her voice. The temp is higher, so is Aretha's voice and she twist the lyrics ever so slightly so there is no doubt that she is in charge. The song became an anthem for Civil Rights and Women's Rights and Redding was so impressed with Aretha's version that he introduced it as the famed Monterey Pop Festival as 'the song a girl took from me, a friend of mine, this girl, she just took this song.' Check it out below - what a performance!


Franklin certainly did. Backed by sisters Erma and Carolyn, she flies and soars through the song, barely pausing for breath. Listen to the way she sings Oooooh your kisses are sweeter than honey and then all I want you to DO for me

Franklin demands attention, demands respect, she is on fire, ripping through the song. The  R E S P E C T section is sublime, leading to the brilliant sock it to me, sock it to me backing vocals.

What a song, what a singer, what a cover version. One of the very, very best.


Previous covers of the month




Sunday, 14 May 2017

Colonel Mustard and the Dijon 5 - O2 Academy


Last night Colonel Mustard and the Dijon 5 turned the O2 Academy in Glasgow into a wonderful sea of smiles, dancing, singing and yellow.

A 13-piece (plus guests!) band won hearts and mind with good time songs like Cross The Road, Dance Off, Ginger Girl, How Many Many's? These Are Not The Drugs You Are Looking For, International Sex Hero and Gay Icon.

Pic by Tracey McGuiness

Led by the bundle of energy that is the Colonel (John McAlinden) his band of merry men and girls created an atmosphere that was part rave, part Alice in Wonderland and 100% joyful and uplifting.

There was still time for politics - something that the band bring into their songs and videos; be that Freedom For The Children, Junkie Breakfast or a song that slammed the Tory Government and rhymed Tory with Jackanory. The Colonel and his Lieutenant David Blair (the Djancer) left no-one in any doubt that they should use their forthcoming vote to remove the Tories. The crowd went wild applauded.

The Dijon 5 are a wonderful band, 2 energetic female vocalists back up the Colonel, there are drums, keys/synths, guitars, bass, percussion and a fantastic horn section that can just lift the songs. Somehow, it all comes together in a quite glorious manner.

Pic by Linda Carter

There were no boundaries between the band and their fans - evident from the off when we arrived in time to see opening band Esperanza get the party started with their infectious upbeat ska. The Colonel and his band were in the crowd watching and greeting family, friends and fans. Everyone was made to feel welcome and this created a brilliant friendly atmosphere.

Dead Man Fall were second support and they blew me away and I kicked myself for not seeing them before. I'll definitely be going to see them again when they next play in Glasgow. Their singer played a couple of drums with a maraca and a tambourine to add a real Doves-y feel to come songs and a horn section created some beautiful vibes. Closer Bang Your Drum was sublime.

View from the stage as Dead Man Fall win some new fans
Pic courtesy of Dead Man Fall's twitter

And then it was on to the main event - bounding on stage to Crosstown Traffic, Colonel Mustard and the Dijon 5 were in the mood to party......and they did!

Last night was a wild celebration of the band and their yellow movement with loads of dancing onstage and in the crowd. As the gig peaked more and more guests joined the band on stage to create a real old school rave atmosphere. Band and audience were as one. The band are all about fun but they are seriously talented and created a real melting pot of sounds that created huge grins as wide as the Clyde across the venue.

Colonel Mustard and the Dijon 5 tap into your endorphins, mix them around for a bit and then make them explode. The Colonel led the crowd 'across the road' on a segway, got us to dance through a mixture of moves like - drive your car, disco disco disco, first pump, speed bump..... and the Dancer got down into the crowd to lead a dance off and then crowd surfed on an inflatable unicorn!

Pic by Dan Reardon

Their Peace, Love and Mustard anthem was euphoric, as was an incredible These Are Not The Drugs You Are Looking For.  The band are playing loads of festivals across the summer - go and see them if you can, or ensure you grab a ticket for their next Glasgow show.

Colonel Mustard and the Dijon 5 are unique, brilliant, uplifting, fun, brilliant musicians and very friendly and genuine people.



Monday, 8 May 2017

Love Power by The Sandpebbles


I recently bought a magnificent compilation album 1967 : The Year Pop Divided, out on Ace Records Author and music buff Jon Savage chose the tracks and he chose them well.

There are some magnificent songs, but you know that way when one stands out and you play it over and over? Well I got that with the stunning Love Power by The Sandpebbles.


Love Power hit number 14 on the Billboard singles chart and was the sole hit for the band. What a hit it was though!

Ringing bells and a throbbing bass are quickly followed by a powerful and soulful vocal that draws us in quickly. The extra beat that comes in with the horns and the rising vocal for the chorus just lifted me up out of my seat as I was driving along the first time I heard it.

The driving beat goes one step further when the chorus is repeated and then there is a glorious breakdown and things go even higher. The lyrics convey someone head over heels in love, being in that beautiful bubble where it feels like nothing else matters and everything is going your way. What a tune, you believe every word.

When we walk down the street
Oh, we don't care who we see or who we meet
Don't have to run (run), don't have to hide (hide)
Cause we have something burning inside

Cause we got love (love) power (power)
And it's the greatest power of them all
Oh we've got love (love) power (power)
And together we can't fall

Sometimes we're up (up) sometimes we're down (down)
But our feet are always on the ground
We always laugh (laugh), don't have to cry (cry)
And this is the reason why

Cause we got love (love) power (power)
And it's the greatest power of them all
Oh we've got love (love) power (power)
And together we can't fall

instrumental

verse 2 repeated
chorus repeated




.

Thursday, 4 May 2017

Colonel Mustard podcast



Earlier on this week I had the pleasure of spending some time in the company of the 2 front men from Colonel Mustard and the Dijon 5 - a band who have snowballed in the last few years, winning friends and fans wherever and whenever they play, selling out the Barrowland Ballroom and the ABC - unsigned and self managed.

John McMustard (McAlinden) and David Blair have had a ball and their good vibes and fun times have transferred to their audience. People dance, people smile, people have a great time and leave wanting to tell others to go and see them next time they play.

The band have just released the single Cross The Road b/w Freedom for the Children digitally (8th May) and on ltd yellow 7-inch vinyl via their website and Love Music in Glasgow.

They then play the Academy on Saturday 13th May with support from friends Dead Man Fall and Esperanza. It's been an amazing journey for them - get along to see them if you can, it will be amazing.

Check out this special podcast with tunes from Colonel Mustard themselves, 2 of their favourite bands from in and around Glasgow and an all-time fave in the shape of Primal Scream.

It's a fascinating discussion taking in all night acoustic jam sessions in disused mental hospitals, nursery rhymes, hymns, Screamadelica, Primal Scream's rider, festivals, South Korea, going from pubs to the Academy, running a 13 piece band, the yellow movement, Eddy Grant I Don't Wanna Dance and Adam Ant's Prince Charming, the 6th Dijon, writing with a 4-year old, the second album, dreams of playing the Hydro and much, much more....

Cross The Road - Colonel Mustard and the Dijon 5
Bang The Drum - Dead Man Fall
Movin' On Up - Primal Scream
Freedom for the Children - Colonel Mustard and the Dijon 5
Galactic Radio - The Mickey 9's

Monday, 1 May 2017

Never Ending Mixtape part 8



I've had a great month of discovering all kinds of music/artists that I previously hadn't heard, as well as rediscovering some old faves. So this is the largest monthly addition to the Never Ending Playlist yet!

The Never Ending Mixtape began in October 2016 when I finally discovered Spotify after years of saying I would never use it. Watch The Sunrise by Big Star kicked things off, joined by the Velvets, Spiritualized, Tricky, Massive Attack, Belly, Mazzy Star, The Orb, The Smiths.....all kinds of things.

Each month I make some additions to the Never Ending Mixtape and the blog allows me to either reminisce about old favourites, seeing acts live or where and when I bought/heard the song, or to talk about recent discoveries.

You can check the Never Ending Mixtape below and then read on to find out the latest additions.

Look Up In The Sky (Negro Nature) - Francis The Great
I heard this on the Lauren Laverne show last year - what a tune!


I Feel Like I've Been Living (On The Dark Side Of The Moon) - Gene Page
I was looking for another song by Gene Page (All Our Dreams Are Coming True - the song my wife walked down the aisle to, it's not on Spotify) when I discovered this. It was the title that attracted me.


Love's Theme (instrumental)/Under The Influence of Love (vocal) - Love Unlimited
Sensationally uplifting and gorgeous string led instrumental changes into something completely different but just as good. Enjoy this one.


Found A Cure (Tom Moulton mix) - Ashford and Simpson
I discovered this while browsing for Greg Wilson mixes or re-edits on Spotify. Brilliant!


Summer Came My Way - Greg Wilson edit
I first heard this a few years ago when Greg Wilson played Melting Pot at The Admiral. Just sublime and uplifting.


Cocaine Blues (Greg Wilson mix) - Escort
Insanely good, the mix and production are spot on.


Jumpin' Jack Flash - Ananda Shankar
First heard on an old David Holmes mix, this guy sure knows how to dig out a gem


You're So Vain - Carly Simon
So who is/was this song about? Warren Beatty? Mick Jagger? I read an article recently where Carly Simon confirmed that Jagger sings backing vocals. Listen on headphones and it is all too clear. He was certainly vain! A gem of a song.


Tired Of Being Alone - Al Green
There have already been a few times on the Never Ending Playlist where I have simply said that it doesn't get much better than this. This is another one of those times.


Roadrunner - The Modern Lovers
I have this LP on delicious red vinyl. Brilliant guitar pop punk song.


Free Again - Alex Chilton
One of the rarest Teenage Fanclub records I own is a 7-inch import of rip roaring version of Free Again. It instantly became a favourite song of mine.



Stop And Smell The Roses - Television Personalities
One of the best names for a band ever, this song came on randomly when I had spotify on recently.


Anything Could Happen - The Clean
Another Spotify discovery at random. Love the raw vocals over acoustic and electric guitars and a simple beat. Rock n roll.


Streets Of Your Town - The Go Betweens
I caught The Go Betweens at the Renfrew Ferry a number of years ago. They were astonishingly good. I didn't know much of their music, my friend Ian bought me a ticket and I fell for their melodic guitar pop and charm instantly. This is a good example of why.


Black and White - The dB's
Another random Spotify discovery that I really enjoyed. There is such an urgency about this from the vocals all the way to the handclaps. I love the line we are finished, as of a lifetime ago


I Am The Cosmos - Chris Bell
Norman Blake, Bobby Gillespie and Tim Burgess have all highlighted this song in interviews over the years. Listen to find out why.


The Concept - Teenage Fanclub
Is this the first Fannies song on the playlist?! Well it is back to where it all started with the Fanclub for me, discovering them in 1991 through Bandwagonesque and this sublime chiming guitar pop and harmony driven beauty.


Echoes - Gene Clarke
Another guy that Norman, Bobby and co hold up in awe. I can never walk into Monorail Records in Glasgow and come away empty handed. One time i bought this after reading a review in Uncut or Mojo and i was not disappointed. How clever, amazing and wonderful this song is!


Clouds - The Jayhawks
Wichita - The Jayhawks
I caught a program on BBC Scotland from Cottiers Theatre in my mid-late teens and i was transfixed by The Jayhawks. What a band! Hollywood Town Hall is an incredible album. I fell for that perfect mix of acoustic rhythm and electric lead. Here are the 2-songs that were broadcast.



Wish You Were Here - Ryan Adams
I thought I was going to be listening to a Pink Floyd cover when I stumbled across this on YouTube. Listen for the superb use of swearing!



Friday, 28 April 2017

Pacific Ocean Blue


Pacific Ocean Blue is an album that I return to regularly. It is like a fine wine, getting better with every passing year....and I find more in it every year....like it grows with me. (the Spotify link is at the end of this blog).

Wilson's voice is incredible; beautiful, yet hurt and broken at times, rich and raw but also soulful and soothing. The lyrics pull you in, the guy has loved and lost, he still loves and he wants to tell all. River Song and Rainbows are my favourites, just sublime.

Released in 1977, Pacific Ocean Blue was the debut album by Beach Boy Dennis Wilson (indeed his only album as the follow up Bambu was unfinished at the time of his death in 1983).

Two of the best songs from the sessions for the album were unreleased - the stunning Only With You, one of the best love songs you will ever hear - and the beautiful instrumental Holy Man.

One of the best love songs of all time


Dennis had written Only With You for The Beach Boys Holland album, but the lead vocals were taken by Carl. The rich rawness of Dennis' vocal on the Pacific Ocean Blue album take it to another level.

Incidentally, this was the song that turned me on to Pacific Ocean Blue. Norman Blake from Teenage Fanclub recorded it for a tribute album Caroline Now - The Songs of Brian Wilson and The Beach Boys. That and I think Bobby Gillespie mentioned the album in an interview.

The opening piano riff to River Song that leads to Dennis backed by a gospel choir sends a spine tingling shiver of joy every time I hear it.

Dennis' voice is throaty, raspy and soulful as he talks of being struggling to breath in the city and longing for the river; this leads to a glorious break before a beautiful middle eight (below) before the faded ending that sounds like it could otherwise have gone on forever with Dennis urging You've got to run away, you've got to run away


It breaks my heart to see the city

I wonder why it ain't so pretty
Oh I want to cry, I want to cry
Come on you've got to do it, do it, do it

River Song
is simply stunning, the perfect introduction to Pacific Ocean Blue, but over too soon at 3 minutes 38 seconds. You just have to go back and listen again - it is that good. And just to check Dennis really does pack all those changes and soul into that short space of time?

Pacific Ocean Blue has so much to offer. Wilson has the blues (bad!), losing himself in music and singing of it in songs like Dreamer. Just wait for the break to

Oooh let the wind carry your blues away
That's all we're trying to say
How about a better day
Fall in love

Be warned, your heart may ache and break. Moonshine will move you and just wait for the incredible lyric; It was you who said there won't be tomorrow, you said you love me now in another way


Thoughts Of You will break your heart. Just listen to Wilson's soulful voice straining, breaking and sounding so fragile and true over piano right from the off. The melody is absolutely gorgeous.

The thoughts of you fill my heart with joy again
I'm sorry
I miss you

The song then takes off on a psychedelic trip before coming back to the original melody and Wilson's incredible vocal.

Loneliness is a very special place
To forget is something that I've never done
Silently, silently you touch my face

Wilson puts his heart out on Time, talking of being the type of guy who messes around before singing I love you, I really do with incredible feeling and soul. His voice is sensational, the break into the hold on takes things to another dimension and it sounds like Wilson is giving himself advice.

Did I mention heart ache and break? Farewell My Friend will rip your heart out. It was the song played at Wilson's funeral following his death at the age of just 39 following years of alcohol and drug abuse that eventually saw Dennis homeless.

Rainbows is one of my favourite songs, all of a sudden Wilson sounds positive and full of love. The surging melody and build to And I want you to know, I love you, I love you so leads into the glorious second verse with the backing vocals just lifting things higher.


The album finishes with the appropriately named End Of The Show. Just listen to Wilson's voice in the thank you very much section. Pure emotion, pure soul.

Here we are
With our dreams in the sky
We all have our dreams
It's wonderful to know we're alive
At the end
It's over

Rather incredibly, the album sold less than 5,000 copies upon release in 1977, quickly becoming out of print and a cult album. The 2008 deluxe double edition CD of Pacific Ocean Blue and Dennis' unreleased follow up Bambu shone a light on a remarkable album and that light deserves to shine.

The 3 additional songs added to the Pacific Ocean Blue CD were Tug Of Love, the aforementioned Only With You and the truly stunning instrumental masterpiece Holy Man. Wilson had recorded vocals but deleted them as he felt he couldn't get the melody quite right. The music stands up on its own.

I'll write a blog on Bambu another time, but for now, please dig in and treasure this masterpiece.





Saturday, 22 April 2017

TeenCanteen - Sirens EP




Released on transparent 10-inch blue and red vinyl with white splatters (each one different) on Record Store Day; TeenCanteen's Sirens EP has 4 songs that will lift you up, make you sing, make you dance and quite possibly bring tears to your eyes.

The title track certainly brought tears to mine. So did Millions once I got through the pop and the melodies to the lyrics. Regular readers will know that Carla (singer-songwriter in the band) is my sister. Both songs are about our Dad who died when I was 24 and Carla was only 15.

The piano version of Sirens is heart stopping; it is tears in the eyes, it is memories, heart break, heart ache, thinking what if? It is the sound of someone pouring their heart out, backed only by harmonies and backing vocals by friends at all the right moments, with only sparse Spector-esque reverb heavy piano for company.

I first heard it in early January in La Chunky studio in Finnieston, Glasgow shortly after completion. Carla asked for the studio lights to be turned off and I sat with the band, producer Stephen Watkins and my wife in total darkness other than the computer screen and the lights on the mixing desk.

It is devastatingly beautiful. When I hear Carla pouring her heart out and singing I wish I had time, I wish I had time in a voice crackling with emotion....it gets me. It may well get you too. Switch your lights off and listen.

The 4 voices combining to sing I want sunshine pouring through my window is just sublime. It gets better, the song flows and rises superbly.

All I've ever wanted was for a bit longer
To be a mans daughter
But some things
Take much more than a 4 leaf clover
To form realities out of dreams
Let the sirens play
Let the sirens play out loud

I wish I had time so I could define
All of the time you've been on my mind
Reminds me of school days and hanging in the park
Remembering to be home before the dark

Sirens is a new version of a song released on Say It All With A Kiss, the debut album that came out in September 2016. The other 3 songs are all brand new. To follow up the album so quickly is testament to the confidence that the band have and the 4 girls each bring something magical to the record.



What You Gonna Do About Me? is an outpouring of emotion, talking of dreaming, stamping feet, spreading roots, seeing friends and confirming independence. All in 2 minutes and 22 seconds!

You make me wanna skip school
Though I don't go to school anymore
What's the point in living for the weekend?
If I wanna see my friends I'll see my friends
Anytime I want to.....

If I want a minute dreaming in my bedroom
I will take a minute dreaming in my bedroom

Can't Go Back (Starry Eyed) is glorious unashamed pop that you could imagine Taylor Swift or Carly Rae Jepsen singing. The breakdown and then rise for the final minute is euphoric.

Millions is the lead single from the EP, picking up airplay on 6Music courtesy of Marc Riley. It's punchy and direct, only 3-minutes long and that includes time for backwards psychedelic guitars and the sound of Sita crying real tears at the end.

You're a million, million, million, million miles away
I still feel you near
Though you've disappeared

Oh come back to me if I call your name



TeenCanteen have a string of dates through the summer months, starting today where they play Monorail Records/Mono Cafe bar at 5pm for free as part of Record Store Day. Keep an eye on their social media for info about Glasgow, Edinburgh, Manchester, Brighton, Norway, The Great Escape and more.

Order an amazing 10-inch vinyl via the Last Night From Glasgow shop.




Monday, 17 April 2017

Friday Night The Eagles Fly

Introducing The Bar Dogs

L-R: Samuel Joseph Smith (recording/mixing/mastering engineer), Mark Thomson (guest vocals), Robbie Noble (keyboard), Michael Kirkland (guest vocals), John McArthur (lead guitar), Mario Feraud (sax), Scott Duncan McPherson (bass), John Gerard O'Neill (lead vocals), Michael Gahanna (drums/percussion), Tino Macdonald (vocals and guitars)


The Bar Dogs are a young 7-piece rock n roll band who have been tearing around Glasgow since forming in 2015 and this coming weekend they release their debut LP Friday Night The Eagles Fly on Button Up Records.

One of the brilliant things about this record is that it sounds like the band are having real fun, it sounds like they are playing live. It's rock, it's roll, soul, raw, pure and heartfelt. Just look at the picture above, they look like gang that have come together through a love of music....and that really comes across on the LP.

The opening track is ferocious and the pace rarely drops. This is the blue collar rock n roll soul of Springsteen via Glasgow. At under 3-minutes long, Running doesn't hang about, a count of 1-2-3 and the band are flowing from the off with Mario Feraud's saxophone lifting things and John Gerard O'Neill's rasping vocals setting the scene of dead end jobs and dreaming of the weekend. It immediately demanded a second listen as soon as it finished.

I'm going downtown to burn my wage

I'm running but I'm getting nowhere
Hanging round with nothing to do


Things slow down for Dream The Night Away, but the gutsy soul is still there and it is at the heart of every song on the album.

Sorry was a single back in March and it is brilliant rock n roll soul. On this kind of form The Bar Dogs sound like the best bar band in Glasgow and one that should consider upping sticks and heading to New York City (or New Jersey) as soon as they can afford the air fares. Having recently read the epic Springsteen autobiography, I think of scenes he describes, playing bars and wanting to generate a reaction. I apologise if I reference Springsteen a few times in this review, but listen to the album and you'll totally see where I am coming from.


Can you keep up the pace? Cause next out of the traps is Heart Shaped Feeling and the band fly through it at breakneck speed. The piano holds it all together but is also allowed to let rip.

She's got a heart shaped feeling
She's got a heart I'm stealing

If you're gonna love me baby
You better love me all damn night

And they don't let up - Coco is an absolute belter. The band rip and roar through it, the song flows, the drums pound ferociously.  These guys know how to play and John O'Neill sure knows how to sing his heart out.

Glasgow Saturday Night is crying out to be a future single. Sax and piano give this song a beautiful undercurrent but the beat remains as up temp as ever. The break down for all the girls say and all the boys say section is sublime and then it just all goes gloriously crazy.


It's not all 100 mph stuff though, just listen to the gorgeous Want You To Want Me complete with Celtic strings and a stunning piano intro.

Did I say heartfelt earlier? Well The Bar Dogs can also be ultra romantic soppy bastards in a lovely way. Just listen to What A Woman for evidence.

A delicate and gorgeous piano riff ushers in the closing track Freedom. O'Neill contemplates life, love, friends, nights out.....and then the song picks up to the kind of rock n roll pace that you'll have grown accustomed to through the course of the album.

Friday Night The Eagles Fly is gutsy, ballsy, 100 mph rock n roll soul. I don't know of any other Glasgow band that can play like this, write like this or sing like this.

The album is out on Record Store Day and the band then have a launch party at the 13th Note on 6th May. If you want a hot, sweaty, loud rock n roll basement show - this is is going to be the hottest one in town.



Wednesday, 12 April 2017

Wild Horses

Cover version of the month #24


Wild Horses - The Sundays cover The Rolling Stones


The Sundays were a band I fell for in my early teenage years. Their debut album Reading, Writing and Arithmetic was heralded by the weekly music magazines NME and Melody Maker and the reviews sent me scurrying to buy a copy from Missing Records in Oswald Street in Glasgow. Songs like Here's Where The Story Ends were just gorgeous pop, stunning songwriting. Oh and for a 14/15 year old indie kid, lead singer Harriet Wheeler was the kind of girl you fantasised about when the streets were cold and lonely, dreamy and with a beautiful voice.

I bought The Sundays Goodbye 12-inch single. The b-side was a cover of The Stones Wild Horses, a song I was familiar with through an old battered Stones compilation album owned by my Dad.

The Stones version is a masterpiece in songwriting and delivery. The slow acoustic, Jagger's impeccable vocal (and some of his best lyrics), the beat kicking in, the rise.... it is majestic.

I know I've dreamed you a sin and a lie
I have my freedom but I don't have much time
Faith has been broken tears must be cried
Lets do some living, after we've died

Wild horses couldn't drag me away
Wild, wild horses, we'll ride them some day

The solo is exquisite, no-one else could play like that, it is beautiful and soulful.


Who in their right mind would attempt to cover it?

Well a young indie band from Reading decided to tackle it. And of course, nothing could compare to the Stones, but The Sundays version was one that greatly appealed to the 16-year old me and after rediscovering it over 20-years down the line it still does.


Wheeler's voice aches in a different kind of way to Jagger's, hearing a female lead makes the elder me look at the song in a completely different way, appreciate it even more. Wheeler's voice is dreamy, yet soaked in reality, detached, yet present. It is potentially the boldest cover to date in this series.




Thursday, 6 April 2017

2017 Scottish Album of the Year Award - the nominations

 





The chance to nominate an eligible album for Scottish Album of the Year was open throughout March and the list of nominees is quite incredible; truly highlighting the incredible artistic talent that graces and enhances our small nation. Bands and artists from all kinds of genres are there, we have old bands, brand new bands, DIY releases, major label releases and DIY label releases.

Arguably Scotland's biggest band - Biff Clyro is on the list, old timers enjoying a new lease of life Deacon Blue are there, we have Fatherson, Frightened Rabbit, Amy MacDonald, KT Tunstall, Emeli Sande, the exceptional talent that is King Creosote, the mighty Mogwai, the Mary Chain, personal faves Teenage Fanclub, the effervescent Travis, the returning Trashcan Sinatras and the energetic Twin Atlantic.




Scottish indie/DIY labels (and self releases) are well represented by the likes of Randolphs Leap. Hector Bizerk, TeenCanteen, Ette (Bandcamps number 4 album of 2016), Little Kicks, Machines In Heaven, HQFU, Modern Studies, Mt. Doubt, Rick Redbeard, Sacred Paws.....and much, much more. This is a growing scene and one that offers a real treasure trove of talent.

Scottish hip-hop is represented, folk, country, electronica, classical, avant garde.....there is something for everyone, so much to explore and treasures to discover.


Just 20 albums will make the longlist, that is then whittled down to 10 for the shortlist and they go

through to the SAY Award ceremony in Paisley on 28th June.

The SAY Award has been a welcome and exciting addition to the Scottish music calendar since inception; previous winners are Bill Wells and Aidan Moffat (2012), RM Hubbert (2013), Young Fathers (2014), Kathryn Joseph (2015) and Anna Meredith (2016).

The format of nominees, longlist and shortlist maintains interest and builds excitement and anticipation. The 4-month run from the start of March to the end of June offers music fans around the world ample time to explore Scottish artists from all backgrounds.


However, it is impossible (at least for me) to listen to every single album that has been nominated. That is probably why the SAY Award have 100 judges to start with!

Here is a list of some of the albums I've enjoyed, it will be interesting to see how many make it through to the longlist and the shortlist. Could the winner be among them? Those marked with an * are my own top 10/shortlist, but I look forward to discovering albums as things progress towards the ceremony in Paisley on 28th June.

Barrie James O'Neill - Cold Coffee


* Ette - Homemade Lemonade


Fiona Soe Paing - Alien Lullabies


* HiFi Sean - ___Ft


HQFU - HQFU


The Jesus and Mary Chain - Damage and Joy


* King Creosote - Astronaut Meets Appleman


Machines In Heaven - Phenomenology


* Mark W Georgsson - Faces and Places


* Modern Studies - Swell To Great


Mt. Doubt - In Awe Of Nothing



Pictish Trail - Future Echoes


Rick Redbeard - Awake Unto


* Sacred Paws - Strike A Match



* Stephen Solo - Pii


* Teenage Fanclub - Here


* TeenCanteen - Say It All With A Kiss


The Little Kicks - Shake Off Your Troubles


* The Pooches - The Pooches


Trashcan Sinatras - Wild Pendulum


The SAY Award is a prestigious and exciting arts prize produced by the Scottish Music Industry Association (SMIA), with confirmed partners for 2017 including Paisley for UK City of Culture 2021Creative ScotlandTicketWeb and PPL. Boasting a lucrative £20,000 prize for the winner and nine runner up prizes of £1,000 each, the award celebrates, promotes and rewards the most outstanding Scottish albums released each year. Respected by artists and valued by the industry, The SAY Award is responsible for a surge in musical discovery and an explosion of impassioned debate on social media. The SMIA is encouraging artists, labels and the general public to submit eligible albums released between 1 April 2016 and 31 March 2017. #SAYAward #SAYeligible17

Sunday, 2 April 2017

Never Ending Mixtape part 7


This month, I decided to add a few more songs than usual to the Never Ending Mixtape on Spotify, taking the total number of songs up to 100.

It's quite a mix - even if I do so myself!

The Never Ending Mixtape began in October 2016 when I finally discovered Spotify after years of saying I would never use it. Watch The Sunrise by Big Star kicked things off, joined by the Velvets, Spiritualized, Tricky, Massive Attack, Belly, Mazzy Star, The Orb, The Smiths.....all kinds of things.

Each month I make some additions to the Never Ending Mixtape and the blog allows me to either reminisce about old favourites, seeing acts live or where and when I bought/heard the song, or to talk about recent discoveries.

You can check the Never Ending Mixtape below and then read on to find out the latest additions.


Don't Leave Me This Way - Harold Melvin and the Bluenoses
An all time fave, the way this flows and soars and grooves is simply impeccable.  A dancefloor filler.


If You Want Me To Stay - Sly and the Family Stone
Another groover, the vocal is sensational.


Concrete Schoolyard - Jurassic 5
A tune that reminds me of my mate Reddy.


The Message - Grandmaster Flash and the Furious Five
I've just finished watching the Hip Hop Evolution doc on netflix. Highly recommended.


Temptation - New Order
One of my top 3 songs of all time.



Getting Away With It - Electronic
The perfect pop song for me. Love the lyrics, melody, beats, strings....


No Tears To Cry (Leo Zero remix) - Paul Weller
Sublime, first heard this when Greg Wilson dropped it into one of his mixes.


Miss You - The Rolling Stones
I didn't believe this was the Stones when I first heard it! Jagger is pretty unmistakable though!


Till The End Of The Day - The Kinks
Ferocious!


Ogden's Nut Gone Flake - Small Faces
I used to open DJ sets with this instrumental.


Afterglow (Of Your Love) - Small Faces
Listen to Steve Marriott's voice!


Oh Vanity! - The Charlatans
A stomper by one of my all time fave bands.


North Country Boy - The Charlatans
This was my favourite song through the summer of 1997, 20-years ago.


Wide Open - Chemical Brothers featuring Beck
Absolutely gorgeous. They should do an album together.


Brother's Gonna Work It Out - Willie Hutch
First heard this in a Chemical Brothers mix, just wait till the beats and strings come in!


Stoned Love - The Supremes
This will always remind me of the summer of 2012 and seeing the Roses for the first time in Amsterdam and Heaton Park.


Les Fleur - Minnie Ripperton

Memphis Soul Stew - King Curtis
How good is this? Sounds like it was constructed live in the studio, like it is a jam.



Green Onions - Booker T and the MG's


Friday, 31 March 2017

Last Night From Glasgow 1st birthday

Last night in Glasgow, Last Night From Glasgow Records celebrated our first birthday bash at Stereo in the heart of the city, with performances from BooHooHoo, Medicine Men, Emme Woods and Sister John. The evening was compered by Stephen Solo, we had quality tunes from label DJ Phil Redfearn and creative director Brian Sweeney was on hand to capture the event on film. Label members shared the sense of celebration and everything came together to create an incredibly positive atmosphere. We had done it; 12-months in the bag, a treasure trove of releases and bundles to look forward to.

Was it really only on 22nd February 2016 when the 6 co-founders all met together for the first time?Was it really only March 2016 when we launched?

So much had happened in that time. And now, here we were....

The upstairs bar in Stereo was already busy when I arrived just before 6pm and it was fantastic to see a queue of people snaking down the Stereo stairs for doors opening at 7.30pm.

Picture by Brian Sweeney

Sister John were signed to the label towards the end of 2016, before we had even seen them play live. I had personally only seen them at the LNFG Xmas bash when they played cover versions. Their demos had really heightened my sense of anticipation and their live set was a joy. Swapping instruments with ease and delivering stunning 3-part harmonies. Amanda McKeown has a voice that can swoop and soar, one that can send shivers down your spine and one that can warm your heart. Come and check them out at the Old Hairdressers on Sunday 23rd April.

Picture by Brian Sweeney


Emme Woods has been with the label almost from the start, watching her develop has been a joy. A conversation with guitarist Jamie Logie revealed that Morgan (Emme) has songs pouring out of her and plans for a mini-album have changed to a full album. I think of catching Emme for the first time at our launch party last June, she had barely picked up an electric guitar before. Now her cheekier grin is even cheekier, she has a swing and swagger when she plays, her voice has grown stronger, her songs are richer, playful, soulful, imaginative and confident. Emme has 2 big showcase shows coming up in the near future at Wide Days in Edinburgh and the Great Escape in June. Watch this bird soar. Her set last night was a delight, the confidence to throw in You Really Got A Hold On Me spoke volumes and recent digital single I've Been Running was even better live, the key change to the chorus with stabbing horns was uplifting and delightful.

Picture by Brian Sweeney


Next up were Medicine Men, led by the charismatic Ian McKinnon. Opening with Show What You're Made Of set the tone for the rest of a ferociously energetic set. Sleeping With The Light On had a real groove, Bruised Peach was delivered with fire with McKinnon hammering home the fall in love again, fall in love again refrain, while Eggshells was simply stunning, a beautifully written song with a strong melody and one that just builds and builds. Set closer Out Of The Light was a triumph blending Chemical Brothers with Primal Scream, it was great to look around the room and see heads nodding approvingly. Medicine Men's debut album is officially out in May, but look out for something on Record Store Day.

Picture by Brian Sweeney



It was Boo Hoo Hoo who headlined, bringing their infectious electro art pop to Stereo and getting people dancing like it was 1989. They are armed with more hooks than Rocky, they have fun on stage and off and their album is going to rammed with glorious pop music. The bass on Mould Me almost demands a dance,  Fire was sensational and Dreams Tonight was a euphoric delight, the bit where the synth kicks in to lift the song even higher is incredible. At the end they got one of their energetic friends to come down by the stage and dance along and it just lifted the feel good atmosphere even higher.



There was just time for Stephen Solo to come on at the end to play what has become the labels anthem - Crying Because. This tender beauty was sung with heart and soul, you could have heard a pin drop and the closing refrain Love Is Everything is one that we proudly have emblazoned on the sleeve of our new LNFG t-shirts, designed by 8-year old Levon Smith.

Pic by Brendan Waters